Dionne Brand, author of the Griffin Poetry Prize-winning collection Ossuaries, returns with a startlingly original work about the act of writing itself.

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly jam sessions into a father-daughter live act.

Every road can be a detour if you let it.
Melanie (Kayla Fuentes), a teen resentful of her divorcing parents and craving independence doesn’t like surprises. When Mom (Ashna Sharan) picks her up from swim practice and their trip gets derailed by a flat tire and a stranger, Melanie finds herself choosing a new road.

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today.

In this claustrophobically surreal and comical short, a film-score composer is distracted by a haunted video monitor in the confines of his sound studio, where he watches scenes of disconnected conversations as a result of mis-dubbing.

In Téa Mutonji's disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clini

Todrick Hall launches his most ambitious project yet: the full-scale original musical Straight Outta Oz. From a small town in Texas to big-time show business, comes an inspiring documentary of grit, perseverance and the redemptive power of art.

To A More Perfect Union: U.S. v Windsor is a feature-length documentary that tells a story of love, marriage and a fight for equality.

1992: After a confrontation at a riot grrl concert, seventeen-year-old Beth finds herself in a car with her friend's abusive boyfriend dead in the backseat, agreeing to help her friends hide the body.

Fear meets gay desire against an audio background of sitcom homophobia and jarring personal testimonies. Textured layers of figures, rotoscoped and real, move in and out of difficult scenarios, resolving into knowing acceptance.